Four years later, Rob Papen offered his take on the concept, and a year ago FXpansion came out with Bloom. Fab Filter entered the fray with Timeless in 2006. To the best of my knowledge, the first effect in this class was the More Feedback Machine (MFM) from u-he which debuted about eleven years ago. Super delays delivered basic delay effects processing but sported new and unusual bells and whistles that could include multiple lines with flexible signal paths, distortion, modulation (envelopes, UFOs, step sequencers, etc.) and anything else the developer/designer could dream up. A little over a decade ago we started to see the emergence of what IРІР‚в„ўll call here the РІР‚Сљsuper delayРІР‚Сњ.

With computer-based music production becoming prominent, things started to change. You got delay, optionally with feedback, and maybe filtering of the fed-back signal, either naturally via the medium (e.g., tape) or electronically. Until approximately ten years ago, delays were pretty basic. D16 Groups new delay, Sigmund, has everything going for it: great capabilities, superb documentation, and innovative presets? WhatРІР‚в„ўs not to like? We couldnРІР‚в„ўt find a single thing.Р”Вelays have been go-to effects in the world of recording for well over half a century.

D16 sigmund delay plugin